Heroes
Are My Weakness
By:
Susan Elizabeth Phillips
Releasing
August 26th,
2014
Avon
Romance
Blurb
New
York Times bestselling author Susan Elizabeth Phillips is back with a
delightful novel filled with her sassy wit and dazzling charm
The
dead of winter.
An isolated island off the coast of Maine.
A man.
A woman.
A sinister house looming over the sea ...
He's a reclusive writer whose macabre imagination creates chilling horror novels. She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill with his bare hands. She knows a dozen ways to kill with laughs.
But she's not laughing now. When she was a teenager, he terrified her. Now they're trapped together on a snowy island off the coast of Maine. Is he the villain she remembers or has he changed? Her head says no. Her heart says yes.
It's going to be a long, hot winter.
An isolated island off the coast of Maine.
A man.
A woman.
A sinister house looming over the sea ...
He's a reclusive writer whose macabre imagination creates chilling horror novels. She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill with his bare hands. She knows a dozen ways to kill with laughs.
But she's not laughing now. When she was a teenager, he terrified her. Now they're trapped together on a snowy island off the coast of Maine. Is he the villain she remembers or has he changed? Her head says no. Her heart says yes.
It's going to be a long, hot winter.
Link
to Follow Tour:
http://www.tastybooktours.com/2014/06/now-booking-tasty-virtual-tour-for_17.html
Goodreads
Link:
https://www.goodreads.com/book/show/19367048-heroes-are-my-weakness?from_search=true
Buy
Links
Author
Info
Susan
Elizabeth Phillips soars onto the New York Times bestseller list with
every new publication. She’s the only four-time recipient of the
Romance Writers of America’s prestigious Favorite Book of the Year
Award. Susan delights fans by touching hearts as well as funny bones
with her wonderfully whimsical and modern fairy tales. A resident of
the Chicago suburbs, she is also a wife, and mother of two grown
sons.
Author
Links
Website:
http://susanelizabethphillips.com/
Twitter:
https://twitter.com/sepauthor
Excerpt
(Chapter 1):
Annie
didn’t usually talk to her suitcase, but she wasn’t exactly
herself these days. The high beams of her headlights could barely
penetrate the dark, swirling chaos of the winter blizzard, and the
windshield wipers on her ancient Kia were no match for the wrath of
the storm that had hit the island. “It’s only a little snow,”
she told the oversize red suitcase wedged into the passenger seat.
“Just because it feels like the end of the world doesn’t mean it
is.”
You
know I hate the cold, her
suitcase replied, in the annoying whine of a child who preferred
making a point by stamping her foot. How
could you bring me to this awful place?
Because
Annie had run out of options.
An
icy blast rocked the car, and the branches of the old fir trees
hovering over the unpaved road whipped like witches’ hair. Annie
decided that anybody who believed in hell as a fiery furnace had it
all wrong. Hell was this bleak, hostile winter island.
You’ve
never heard of Miami Beach? Crumpet,
the spoiled princess in the suitcase retorted. Instead
you had to haul us off to a deserted island in the middle of the
North Atlantic where we’ll probably get eaten by polar
bears!
The
gears ground as the Kia struggled up the narrow, slippery island
road. Annie’s head ached, her ribs hurt from coughing, and the
simple act of craning her neck to peer through a clear spot on the
windshield made her dizzy. She was alone in the world with only the
imaginary voices of her ventriloquist dummies anchoring her to
reality. As sick as she was, she didn’t miss the irony.
She
conjured up the more calming voice of Crumpet’s counterpart, the
practical Dilly, who was tucked away in the matching red suitcase in
the backseat. We’re
not the middle of the Atlantic, sensible
Dilly said. We’re
on an island ten miles off the New England coast, and the last I
heard, Maine doesn’t have polar bears. Besides, Peregrine Island
isn’t deserted.
It
might as well be. If
Crumpet had been on Annie’s arm, she would have shot her small nose
up in the air. People
barely survive here in the middle of the summer let alone winter. I
bet they eat their dead for food.
The
car fishtailed ever so slightly. Annie corrected the skid, gripping
the wheel more tightly through her gloves. The heater barely worked,
but she’d begun to perspire under her jacket.
You
mustn’t keep complaining, Crumpet, Dilly
admonished her peevish counterpart. Peregrine
Island is a popular summer resort.
It’s
not summer! Crumpet
countered. It’s
the first week of February, we just drove off a car ferry that made
me seasick, and there can’t be more than fifty people left here.
Fifty stupid people!
You
know Annie had no choice but to come here, Dilly
said.
Because
she’s a big failure, an
unpleasant male voice sneered.
Leo
had a bad habit of uttering Annie’s deepest fears, and it was
inevitable that he’d intrude into her thoughts. He was her least
favorite puppet, but every story needed a villain.
Very
unkind, Leo, Dilly
said.
Even if it is true.
The
petulant Crumpet continued to complain. You’re
the heroine, Dilly, so everything always turns out fine for you. But
not for the rest of us. Not ever. We’re doomed! Doomed, I say!
We’re forever¾
Annie’s
cough cut off the internal histrionics of her puppet. Sooner or later
her body would heal from the lingering aftereffects of pneumonia¾at
least she hoped so¾but what about the rest of her? She’d lost
faith in herself, lost the sense that, at thirty-three, her best days
still lay ahead. She was physically weak, emotionally empty, and more
than a little terrified, hardly the best state for someone forced to
spend the next two months on an isolated Maine island.
That’s
only sixty days, Dilly
attempted to point out. Besides,
Annie, you don’t have anywhere else to go.
And
there it was. The ugly truth. Annie had nowhere else to go. Nothing
else to do but search for the legacy her mother might or might not
have left her.
The
Kia hit a snow-packed rut, and the seat belt seized up. The pressure
on Annie’s chest made her cough again. If only she could have
stayed in the village for the night, but the Island Inn was closed
until May. Not that she could have afforded it anyway.
The
car barely crested the hill. She had years of practice transporting
her puppets through every kind of weather to perform all over the
state, but even a decent snow driver had limited control on a road
like this, especially in her Kia. There was a reason the residents of
Peregrine Island drove pickups.
Take
it slow, another
male voice advised from the suitcase in the back. Slow
and steady wins the race. Peter,
her hero puppet¾her knight in shining armor¾was a voice of
encouragement, unlike her former actor-boyfriend-slash-lover, who’d
only encouraged himself.
Annie
brought the car to a full stop then started her slow descent. Halfway
down, it happened.
The
apparition came from nowhere.
A
man clad in black flew across the bottom of the road on a midnight
horse. She’d always had a vivid imagination¾witness her internal
conversations with her puppets¾and she thought she was imagining
this. But the vision was real. Horse and rider racing through the
snow, the man leaning low over the horse’s mane
streaming. They were demon creatures, a nightmare horse and lunatic
man galloping into the storm’s fury.
They
disappeared as quickly as they’d appeared, but her foot
automatically hit the brake, and the car began to slide. It skidded
across the road and,with a sickening lurch, came to a stop in the
snow-filled ditch.
You’re
such a loser, Leo
the villain sneered.
Tears
of exhaustion filled her eyes. Her hands shook. Were the man and
horse indeed real or had she conjured them? She needed to
focus. She put the car into reverse and attempted to rock it out, but
the tires only spun deeper. Her head fell against the back of the
seat. If she stayed here long enough, someone would find her. But
when? Only the cottage and the main house lay at the end of this
road.
She
tried to think. Her single contact on the island was the man who took
care of the main house and the cottage, but she’d only had an
e-mail address to let him know she was arriving and ask him to turn
on the cottage’s utilities. Even if she had his phone number¾Will
Shaw¾that was his name¾she doubted she could get cell reception out
here.
Loser. Leo
never spoke in an ordinary voice. He only sneered.
Annie
grabbed a tissue from a crumpled pack, but instead of thinking about
her dilemma, she thought about the horse and rider. What kind of a
crazy took an animal out in this weather? She squeezed her eyes shut
and fought a wave of nausea. If only she could curl up and go to
sleep. Would it be so terrible to admit that life had gotten the best
of her?
Stop
it right now, sensible
Dilly said.
Annie’s
head pounded. She had to find Shaw and get him to pull out the car.
Never
mind Shaw, Peter
the hero declared. I’ll
do it myself.
Buy
Peter¾like her ex-boyfriend¾was only good in a fictional crisis.
The
cottage was about a mile away, an easy distance for a healthy person
in decent weather. But the weather was horrible, and nothing about
her was healthy.
Give
up, Leo
sneered. You
know you want to.
Stop
being such a douche, Leo. This
voice came from Scamp, Dilly’s best friend and Annie’s alter ego.
Even though Scamp was responsible for many of the scrapes the puppets
got into¾scrapes heroine Dilly and hero Peter had to sort out¾Annie
loved her courage and big heart.
Pull
yourself together, Scamp
ordered. Get
out of the car.
Annie
wanted to tell her to go to hell, but what was the point? She pushed
her flyaway hair inside the collar of her quilted jacket and zipped
it. Her knit gloves had a hole in the thumb, and the door handle was
icy against her exposed skin. She made herself open it.
The
cold slapped her in the face and stole her breath. She had to force
her legs out. Her beat-up brown suede city boots sank into the snow,
and her jeans were no match for the weather. Ducking her head into
the wind, she made her way to the rear of the car to get her heavy
coat, only to see that the trunk was wedged so tightly into the
hillside that she couldn’t open it. Why should she be surprised?
Nothing had gone her way in so long that she’d forgotten what good
fortune felt like.
She
returned to the driver’s side. Her puppets should be safe in the
car overnight, but what if they weren’t? She needed them. They were
all she had left, and if she lost them, she might disappear
altogether.
Pathetic, Leo
sneered.
She
wanted to rip him apart.
Babe…
You need me more than I need you, he
reminded her. Without
me, you don’t have a show.
She
shut him out. Breathing hard, she pulled the suitcases from the car,
retrieved her keys, snapped off the headlights, and closed the door.
She
was immediately plunged into thick, swirling darkness. Panic clawed
at her chest.
I
will rescue you! Peter
declared.
Annie
gripped the suitcase handles tighter, trying not to let her panic
paralyze her.
I
can’t see anything! Crumpet
squealed. I
hate the dark!
Annie
had no handy flashlight app on her ancient cell phone, but she did
have… She set a suitcase in the snow and dug in her pocket for her
car keys and the small LED light attached to the ring. She hadn’t
tried to use the light in months, and she didn’t know if it still
worked. With her heart in her throat, she turned it on.
A
sliver of bright blue light cut a tiny path through the snow, a path
so narrow she could easily wander off the road.
Get
a grip, Scamp
ordered.
Give
up, Leo
sneered.
Annie
took her first steps into the snow. The wind cut through her thin
jacket and tore at her hair, whipping the curly strands onto her
face. Snow slapped the back of her neck, and she started to cough.
Pain compressed her ribs, and the suitcases banged against her legs.
Much too soon, she had to set them down to rest her arms.
She
hunched into her jacket collar, trying to protect her lungs from the
icy air. Her fingers burned from the cold, and as she moved forward
again, she called on her puppets’ imaginary voices to keep her
company.
Crumpet: If
you drop me and ruin my sparkly lavender dress, I’ll sue.
Peter: I’m
the bravest! The strongest! I’ll help you.
Leo:
(sneering) Do
you know how to do anything right?
Dilly: Don’t
listen to Leo. Keep moving. We’ll get there.
And
Scamp, her useless alter ego: A
woman carrying a suitcase walks into a bar…
Icy
tears weighed down her eyelashes, blurring what vision she had. Wind
caught the suitcases, threatening to snatch them away. They were too
big, too heavy. Pulling her arms from their sockets. Stupid to have
brought them with her. Stupid, stupid, stupid. But she couldn’t
leave her puppets.
Each
step felt like a mile, and she’d never been so cold. Here she’d
thought her luck had begun to change, all because she’d been able
to catch the car ferry over from the mainland. It only ran
sporadically, unlike the converted lobster boat that provided the
island with weekly service. But the farther the ferry traveled from
the Maine coastline, the worse the storm had become.
She
trudged on, dragging one foot through the snow after the other, arms
screaming, lungs burning as she tried not to succumb to another
coughing fit. Why hadn’t she put her warm down coat in the car
instead of locking it in the trunk? Why hadn’t she done so many
things? Find a stable occupation. Be more circumspect with her money.
Date decent men.
So
much time had passed since she’d been on the island. The road
used to stop at the turnoff that led to the cottage and to Harp
House. But what if she missed it? Who knew what might have changed
since then?
She
stumbled and fell to her knees. The keys slipped from her hand and
the light went out. She grabbed one of the suitcases for support. She
was frozen. Burning up. She gasped for air and frantically felt
around in the snow. If she lost her light…
Her
fingers were so numb she nearly missed it. When she finally had the
flashlight back in her grasp, she turned it on and saw the stand of
trees that had always marked the road’s end. She moved the beam to
the right, where it fell on the big granite boulder at
the turnoff. She hoisted herself back to her feet, lifted the
suitcases, and stumbled through the drifts.
Her
temporary relief at having found the turnoff faded. Centuries of
harsh Maine weather had stripped this terrain of all but the hardiest
of spruce, and without a windbreak, the blasts roaring in from the
ocean caught the suitcases like spinnakers. She managed to turn her
back to the wind’s force without losing either one. She sank one
foot and then another, struggling through the tall snowdrifts,
dragging the suitcases, and fighting the urge to lie down and let the
cold do what it wanted with her.
She’d
bowed so far into the wind that she nearly missed it. Only as the
corner of a suitcase bumped against a low snow-shrouded
stone wall did she realize that she’d reached Moonraker
Cottage.
The
small, gray-shingled house was nothing more than an amorphous shape
beneath the snow. No shoveled pathway, no welcoming lights. The last
time she’d been here, the door had been painted cranberry red, but
now it was a cold, periwinkle blue. An unnatural mound of snow under
the front window covered a pair of old wooden lobster traps, a nod to
the house’s origins as a fisherman’s cottage. She hauled herself
through the drifts to the door and set the suitcases down. She
fumbled with the key in the lock only to remember that island people
seldom locked up.
The
door blew open. She dragged the suitcases inside and, with the last
of her strength, wrestled it shut again. The air wheezed in her
lungs. She collapsed on the closest suitcase, her gasps for breath
more like sobs.
Eventually
she grew conscious of the musty smell of the icy room. Pressing her
nose to her sleeve, she fumbled for the light switch. Nothing
happened. Either the caretaker hadn’t gotten her e-mail asking him
to have the generator working and the small furnace fired up or he’d
ignored it. Every frozen part of her throbbed. She dropped her
snow-crusted gloves on the small canvas rug that lay just inside the
door but didn’t bother to shake the snow from the wild tangle of
her hair. Her jeans were frozen to her legs, but she’d have to pull
off her boots to remove them, and she was too cold to do that.
But
no matter how miserable she was, she had to get her puppets out of
their snow-caked suitcases. She located one of the assorted
flashlights her mother always kept near the door. Before school and
library budgets were slashed, her puppets had provided a steadier
livelihood than her failed acting career or her part-time jobs
walking dogs and serving drinks at Coffee, Coffee.
Shaking
with cold, she cursed the caretaker, who apparently had no
qualms about riding a horse through a storm but couldn’t summon the
effort to do his real job. It had to have been Shaw riding the horse.
No one else lived at this end of the island during the winter. She
unzipped the suitcases and pulled out the five dummies. Leaving them
in their protective plastic bags, she stowed them temporarily on the
sofa, then, flashlight in hand, stumbled across the frigid wood
floor.
The
interior of Moonraker Cottage bore no resemblance to anyone’s idea
of a traditional New England fishing cottage. Instead her mother’s
eccentric stamp was everywhere¾from a creepy bowl of small animal
skulls to a silver-gilded Louis XIV chest bearing the words pile
driver that
Mariah had spray-painted across it in black graffiti. Annie preferred
a cozier space, but during Mariah’s glory days, when she’d
inspired fashion designers and a generation of young artists, both
this cottage and her mother’s Manhattan apartment had been featured
in upscale decorating magazines.
Those
days had ended years ago when Mariah had fallen out of favor in
Manhattan’s increasingly younger artistic circles. Wealthy New
Yorkers had begun asking others for help compiling their private art
collections, and Mariah had been forced to sell off her valuables to
support her lifestyle. By the time she’d gotten sick, everything
was gone. Everything except something in this cottage¾something that
was supposed to be Annie’s mysterious “legacy.”
“It’s
at the cottage. You’ll have… Plenty of money…” Mariah
had said those words in the final hours before she’d died, a period
in which she’d been barely lucid.
There
isn’t any legacy, Leo
sneered. Your
mother exaggerated everything.
Maybe
if Annie had spent more time on the island she’d know whether
Mariah had been telling the truth, but she’d hated it here and
hadn’t been back since her twenty-second birthday, eleven years
ago.
She
shone the flashlight around her mother’s bedroom. A life-size
mounted photograph of an elaborately carved Italian wooden headboard
served as the actual headboard for the double bed. A pair of wall
hangings made of boiled wool and what looked like remnants from a
hardware store hung next to the closet door. The closet still smelled
of her mother’s signature fragrance, a little-known Japanese men’s
cologne that had cost a fortune to import. As Annie breathed in the
scent, she wished she could feel the grief a daughter should
experience following the loss of a parent only five weeks earlier,
but she merely felt depleted.
She
waited until she’d located Mariah’s old scarlet
woolen cloak and a pair of heavy socks before she got rid
of her own clothes. After she’d piled every blanket she could find
on her mother’s bed, she climbed under the musty sheets, turned out
the flashlight, and went to sleep.
***
Annie
hadn’t thought she’d ever be warm again, but she was sweating
when a coughing fit awakened her sometime around two in the morning.
Her ribs felt as if they’d been crushed, her head pounded, and her
throat was raw. She also had to pee, another setback in a house with
no water. When the coughing finally eased, she struggled out from
under the blankets. Wrapped in the scarlet cloak, she turned on the
flashlight and, grabbing the wall to support herself, made her way to
the bathroom.
She
kept the flashlight pointed down so she couldn’t see her reflection
in the mirror that hung over the old-fashioned sink. She knew what
she’d see. A long, pale face shadowed by illness; a sharply pointed
chin; big, hazel eyes; and a runaway mane of light brown hair that
kinked and curled wherever it wanted. She had a face children liked,
but that most men found quirky instead of seductive. Her hair and
face came from her unknown father¾“A
married man. He wanted nothing to do with you. Dead now, thank
God.” Her
shape came from Mariah: tall, thin, with knobby wrists and elbows,
big feet, and long-fingered hands.
“To
be a successful actress, you need to be either exceptionally
beautiful or exceptionally talented,” Mariah
had said. “You’re
pretty enough, Antoinette, and you’re a talented mimic, but we have
to be realistic…”
Your
mother wasn’t exactly your cheerleader. Dilly
stated the obvious.
I’ll
be your cheerleader, Peter
proclaimed. I’ll
take care of you and love you forever.
Peter’s
heroic proclamations usually made Annie smile, but tonight she could
think only of the emotional chasm between the men she’d chosen to
give her heart to and the fictional heroes she loved. And the
other chasm¾the one between the life she’d imagined for herself
and the one she was living.
Despite
Mariah’s objections, Annie had gotten her degree in theater arts
and spent the next ten years plodding to auditions. She’d done
showcases, community theater, and even landed a few character roles
in off-off Broadway plays. Too few. Over the past summer, she’d
finally faced the truth that Mariah was right. Annie was a better
ventriloquist than she’d ever be an actress. Which left her
absolutely nowhere.
She
found a bottle of ginseng-flavored water that had somehow escaped
freezing. It hurt to swallow even a sip. Taking the water with her,
she made her way back into the living room.
Mariah
hadn’t been to the cottage since summer, just before her cancer
diagnosis, but Annie didn’t see a lot of dust. The caretaker must
have done at least part of his job. If only he’d done the rest.
Her
dummies lay on the hot pink Victorian sofa. The puppets and her car
were all she had left.
Not
quite all, Dilly
said.
Right.
There was the staggering load of debt Annie had no way of repaying,
the debt she’d picked up in the last six months of her mother’s
life by trying to satisfy Mariah’s every need.
And
finally get Mummy’s approval, Leo
sneered.
She
began removing the puppets’ protective plastic. Each figure was
about two and a half feet long, with moveable eyes and
mouth and detachable legs. She picked up Peter and slipped her hand
under his T-shirt.
“How
beautiful you are, my darling Dilly,” he
said in his most manly voice. “The
woman of my dreams.”
“And
you are the best of men.” Dilly
sighed. “Brave
and fearless.”
“Only
in Annie’s imagination,” Scamp
said with uncharacteristic rancor. “Otherwise,
you’re as useless as her exes.”
“There
are only two exes, Scamp,” Dilly
admonished her friend. “And
you really mustn’t take out your bitterness against men on Peter.
I’m sure you don’t mean to, but you’re starting to sound like a
bully, and you know how we feel about bullies.”
Annie
specialized in issue-oriented puppet shows, several of which focused
on bullying. She set Peter down and moved Leo off by himself, where
he whispered his sneer inside her head. You’re
still afraid of me.
Sometimes
it felt as if the puppets had minds of their own.
Pulling
the scarlet cloak tighter around her, she wandered to the front bay
window. The storm had eased and moonlight shone through the
panes. She looked out at the stark winter landscape¾the
inky shadows of spruce, the bleak sheet of marsh. Then she lifted her
gaze.
Harp
House loomed above her in the distance, sitting at the very top of a
barren cliff. The murky light of a half moon outlined its angular
roofs and dramatic turret. Except for a faint yellow light visible
from a room high in the turret, the house was dark. The scene
reminded her of the covers on the old paperback gothic novels she
could still sometimes find in used bookstores. It didn’t take much
imagination for her to envision a barefoot heroine fleeing that
ghostly house in nothing more than a filmy negligee, the menacing
turret light glowing behind her. Those books were quaint compared to
today’s erotically charged vampires, werewolves, and
shape-shifters, but she’d always loved them. They’d nourished her
daydreams.
Above
the jagged roofline of Harp House, storm clouds raced across the
moon, their journey as wild as the flight of the horse and rider
who’d charged across the road. Her skin turned to gooseflesh, not
from the cold but from her own imagination. She turned away from the
window and glanced over at Leo.
Heavy
lidded eyes… Thin-lipped sneer… The perfect villain. She could
have avoided so much pain if she hadn’t romanticized those brooding
men she’d fallen in love with, imagining them as fantasy heroes
instead of realizing one was a cheater and the other a narcissist.
Leo, however, was a different story. She’d created him herself out
of cloth and yarn. She controlled him.
That’s
what you think, he
whispered.
She
shivered and retreated to the bedroom. But even as she slipped back
under the covers, she couldn’t shake off the dark vision of the
house on the cliff.
Last
night I dreamt I went to Manderley again…
***
She
wasn’t hungry when she awakened the next morning, but she made
herself eat a handful of stale granola. The cottage was frigid, the
day gloomy, and all she wanted to do was go back to bed. But she
couldn’t live in the cottage without heat or running water, and the
more she thought about her absent caretaker, the angrier she grew.
She dug out the only phone number she had, one for the island’s
combination town hall, post office, and library, but although her
phone was charged, she couldn’t get a signal. She sank down on the
pink velvet couch and dropped her head in her hands. She had to go
after Will Shaw herself, and that meant making the climb to Harp
House. Back to the place she’d sworn she’d never again go near.
She
pulled on as many layers of warm clothes as she could find, then
wrapped herself in her mother’s red cloak and knotted an
ancient Hermès scarf under her chin. Summoning all her
energy and willpower, she set out. The day was as gray as her future,
the salt air frigid, and the distance between the cottage and the
house at the top of the cliff insurmountable.
I’ll
carry you every step of the way, Peter
announced.
Scamp
blew him a raspberry.
It
was low tide, but the icy rocks along the shoreline were too
hazardous to walk along at this time of year, so she had to take the
longer route around the saltwater marsh. But it wasn’t just the
distance that filled her with dread.
Dilly
tried to give her courage. It’s
been eighteen years since you made the climb to Harp House. The
ghosts and goblins are long gone.
Annie
pressed the edge of the cloak over her nose and mouth.
Don’t
worry, Peter
said. I’ll
watch out for you.
Peter
and Dilly were doing their jobs. They were the ones responsible for
untangling Scamp’s scrapes and stepping in when Leo
bullied. They were the ones who delivered antidrug messages, reminded
kids to eat their vegetables, take care of their teeth, and not let
anyone touch their private parts.
But
it’ll feel so good, Leo
sneered, then snickered.
Sometimes
she wished she’d never created him, but he was such a perfect
villain. He was the bully, the drug pusher, the junk food king,
and the stranger who tried to lure children away from playgrounds.
Come
with me, little kiddies, and I’ll give you all the candy you want.
Stop
it, Annie, Dilly
said. No
one in the Harp family ever comes to the island until summer. Only
the caretaker lives there.
Leo
refused to leave Annie alone. I
have Skittles, M&M’s, Twizzlers…and reminders of all your
failures. How’s that precious acting career working out?
She
hunched into her shoulders. She needed to start meditating or
practicing yoga, doing something that would teach her to discipline
her mind instead of letting it wander wherever it wanted¾or didn’t
want¾to go. So what if her acting dreams hadn’t worked out the way
she’d wanted. Kids loved her puppet shows
Her
boots crunched in the show. Dead cattails and hollowed reeds poked
their battered heads through the frozen crust of the sleeping marsh.
In summer, the marsh teemed with life, but now all was bleak, gray,
and as quiet as her hopes.
She
stopped to rest once again as she neared the bottom of the freshly
plowed gravel drive that led up the cliff to Harp House. If Shaw
could plow, he could get her car out. She dragged herself on. Before
the pneumonia, she could have charged uphill, but by the time she
finally reached the top, her lungs were on fire and she’d started
to wheeze. Far below, the cottage looked like a neglected toy left to
fend for itself against the pounding sea and rugged Maine cliffs.
Dragging more fire into her lungs, she made herself lift her head.
Harp
House rose before her, silhouetted against the pewter sky. Rooted in
granite, exposed to summer squalls and winter gales, it dared the
elements to take it down. The island’s other summer homes had been
built on the more protected eastern side of the island, but Harp
House scorned the easy way. Instead it grew from the rocky western
headlands far above the sea, a shingle-sided, forbidding brown wooden
fortress with an unwelcoming turret at one end.
Everything
was sharp angles: the peaked roofs, shadowed eaves, and foreboding
gables. How she’d loved this Gothic gloom when she’d come to
live here the summer her mother had married Elliott Harp. She’d
imagined herself clad in a mousy gray dress and clutching a
portmanteau¾gently born, but penniless and desperate, forced to take
the humble position of governess. Chin up and shoulders back, she’d
confront the brutish (but exceptionally handsome) master of the house
with so much courage that he would eventually fall hopelessly in love
with her. They’d marry, and then she’d redecorate.
It
hadn’t taken long before the romantic dreams of a homely
fifteen-year-old who read too much and experienced too little had met
a harsher reality.
Now,
the swimming pool was an eerie, empty maw, and the simple
sets of wooden stairs that led to the back and side entrances had
been replaced with stone steps guarded by gargoyles.
She
passed the stable and followed a roughly shoveled path to the back
door. Shaw had better be here instead of galloping off on one of
Elliott Harp’s horses. She pressed the bell but couldn’t hear it
ring inside. The house was too big. She waited, then rang again, but
no one answered. The doormat looked as though it had been recently
used to stamp off snow. She rapped hard.
The
door creaked open.
She
was so cold that she stepped into the mudroom without hesitating.
Miscellaneous pieces of outerwear, along with assorted mops and
brooms, hung from a set of hooks. She rounded the corner that opened
into the main kitchen and stopped.
Everything
was different. The kitchen no longer held the walnut cabinets and
stainless steel appliances she remembered from eighteen years ago.
Instead the place looked as though it had been squeezed back through
a time warp to the nineteenth century.
The
wall between the kitchen and what had once been a breakfast room was
gone, leaving the space twice as large as it had once been. High,
horizontal windows let in light, but since the windows were now set
at least six feet from the floor, only the tallest person could see
through them. Rough plaster covered the top half of the walls, while
the bottom was faced with four-inch-square once-white tiles, some
chipped at the corners, others cracked with age. The floor was old
stone, the fireplace a sooty cavern large enough to roast a wild
boar…or a man unwise enough to have been caught poaching on his
master’s land.
Instead
of kitchen cabinets, rough shelves held stoneware bowls and crocks.
Tall, freestanding dark wood cupboards rose on each side of a dull
black industrial-size AGA stove. A stone farmhouse sink
held a messy stack of dirty dishes. Copper stockpots and
saucepans¾not shiny and polished, but dented and worn¾hung above a
long, scarred wooden prep table designed to chop off chicken heads,
butcher mutton chops, or whip up a syllabub for his lordship’s
dinner.
The
kitchen had to be a renovation, but what kind of renovation regressed
two centuries. And why?
Run! Crumpet
shrieked. Something’s
very wrong here!
Whenever
Crumpet got hysterical, Annie counted on Dilly’s no-nonsense manner
to provide perspective, but Dilly remained silent, and not even Scamp
could come up with a wisecrack.
“Mr.
Shaw?” Annie’s voice lacked its normal powers of projection.
When
there was no reply, she moved deeper into the kitchen, leaving wet
tracks on the stone floor. But no way was she taking off her boots.
If she had to run, she wasn’t doing it in socks. “Will?”
Not
a sound.
She
passed the pantry, crossed a narrow back hallway, detoured around the
dining room, and stepped through the arched entry into the foyer.
Only the dimmest gray light penetrated the six square panes above the
front door. The heavy mahogany staircase still led to a landing with
a murky stained-glass window, but the staircase carpet was now a
depressing maroon instead of the multicolored floral from the past.
The furniture bore a dusty film, and a cobweb hung in the corner. The
walls had been paneled over in heavy, dark wood, and the seascape
paintings had been replaced with gloomy oil portraits of prosperous
men and women in nineteenth-century dress, none of whom could
possibly have been Elliott Harp’s Irish peasant ancestors. All that
was missing to make the entryway even more depressing was a suit of
armor and a stuffed raven.
She
heard footsteps above her and moved closer to the staircase. “Mr.
Shaw? It’s Annie Hewitt. The door was open, so I let myself in.”
She looked up. “I’m going to need¾” The words died on her
tongue.
The
master of the house stood at the top of the stairs.
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As it says in the beginning blurb at the top of this post: Susan's stories are written with "sassy wit and dazzling charm." That only two of the reasons why I like her stories. All of her stories are each uniquely different, however, so it's like discovering a new author all over again. It's wonderful. Thanks for the post. jdh2690@gmail.com
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